In the ever-changing world of digital and social media and AI-generated content, copyright protection has become paramount for creators, authors, and businesses, and it can sometimes be challenging to enforce.

Copyright is an exclusive legal right given to the author/creator of original work, such as a literary (e.g. books, computer/software programs), dramatic (e.g. movies, TV shows, plays, scripts, choreography), musical (e.g. songs, musical compositions, scores), or artistic work (e.g. paintings, drawings, photographs, sculptures, tattoos, architectural design, plans, and models), to control how that work is being used and to derive exclusive commercial benefit from it. This includes the rights to reproduce, distribute, perform, display, and create derivative works based on the original. The main purpose of registering a copyright is to protect the interests of creators and encourage the creation of new works in the future. The registration of copyright provides an owner with official proof of ownership, thus facilitating licensing to others and potential royalty arrangements, as well as easier enforcement against infringers.

Seeking prudent legal advice at the outset allows you to protect your creative/original work by registering your copyrights properly. This can potentially prevent unnecessary expenditure in the future on legal disputes that may arise otherwise or allow you to legally enforce your copyrights more easily.

MBM can help protect and enforce your copyrights to safeguard your creative work domestically and globally. We provide cost-effective, client-focused, responsive legal advice and a complete range of copyright services in Canada and worldwide. Our experienced litigators have successfully enforced intellectual property rights before all levels of Canadian courts, including the Supreme Court of Canada, the Federal Court of Appeal, and the Federal Court and sometimes even contributed to shaping of Canadian copyright law by setting important legal precedents.

What do we provide as part of MBM’s copyright services?

  • Copyright filing and registration in Canada and abroad
  • Global copyright portfolio management and strategy
  • Copyright due diligence
  • Non-infringement opinions
  • Advising on the licensing of copyrighted materials and digital content and preparing related agreements
  • Preparation of copyright-related contracts
  • Preparation of licensing agreement
  • Preparation of assignment agreements, ownership transfer agreements and chain of title documents
  • Preparation of employment agreements related to copyright ownership
  • Preparation of company copyright policy
  • Global copyright monitoring and policing
  • Drafting cease & desist letters or demand letters
  • Anti-piracy and copyright enforcement strategies and options
  • Enforcement of copyrights through settlement negotiations, Alternative Dispute Resolution (ADR), and/or litigation

How to get started?

MBM is happy to provide the initial consultation free of charge to help you first identify your specific intellectual property needs.


Book a Consultationforward arrow

Government IP Funding Programs Across Canada

January 27, 2025

By Kay Palmer, Ph.D. • Under 5 min read

CIPO Fees to Increase by 25% in 2024 and Expansion of the Definition of “Small Entity”

August 22, 2023

By Randall (Randy) Marusyk • Under 5 min read

Does Copyright Extend to “facts”? The Federal Court Sets the Story Straight on the Extent of Copyright Protection in Non-fiction Work

October 14, 2021

By Scott Miller • Under 5 min read

Copyrights in Canada – Process, Timeline, Costs, and the Upcoming Proposed Changes to the Copyright Act

March 16, 2021

By Daniel Lanfranconi • Under 5 min read

Enforcing Copyright Outside the Courtroom – The New Notice Regimes

October 27, 2020

By • Under 5 min read

Tips For Startups: How To Make Sure Your IP Is Working For You

July 7, 2020

By • Under 5 min read

Unauthorized Photographs: The Rights Of The People We Capture

June 9, 2020

By Deborah Meltzer • Under 5 min read

Digital books and ownership rights in the information age

April 28, 2020

By • Under 5 min read

Class action lawsuits may be available for copyright infringement cases in some instances

January 7, 2020

By Scott Miller • Under 5 min read

The Price of Privacy: Canada’s Top Court Rules, ISPs must disclose the identity of illegal downloaders at a “reasonable” cost

October 29, 2018

By Scott Miller • Under 5 min read

Intellectual Property Considerations in the New CPTPP & NAFTA Negotiations

February 13, 2018

By Randall (Randy) Marusyk • Under 5 min read

Intellectual Property Licensing: A Win-Win Agreement

September 6, 2017

By • Under 5 min read

Lifting the Cloak of Anonymity of Copyright Infringers Online

May 30, 2017

By Scott Miller • Under 5 min read

In for a penny, in for a pound…

April 18, 2017

By • Under 5 min read

  • What is a Copyright?

    Open/Close
    • In Canada, copyright is defined as the exclusive legal right given to the author/creator of an original work, such as a literary (e.g. books, computer/software programs), dramatic (e.g. movies, TV shows, plays, scripts, choreography), musical (e.g. songs, musical compositions, scores), or artistic work (e.g. paintings, drawings, photographs, sculptures, tattoos, architectural design, plans, and models), to control how that work is used. This includes the rights to reproduce, distribute, perform, display, and create derivative works based on the original. The registration of copyright provides an owner with official proof of ownership, thus facilitating licensing to others and potential royalty arrangements, as well as easier enforcement against infringers.

  • How long does copyright protection last?

    Open/Close
    • The duration of copyright protection generally lasts for the lifetime of the creator plus an additional 70 years after their death. After that, the work is in the public domain, and anyone can use it without the need to acquire permission.

  • Why should you register your copyright?

    Open/Close
    • Even though copyrights belong to the author of the work automatically upon creation of the work, formally registering your copyrights with the Canadian Intellectual Property Office (CIPO) is recommended for the following reasons:

      • Legal Proof of Ownership: Registration provides a public record of your copyright ownership, which can serve as legal proof if there is ever a dispute over who created the work. It strengthens your legal position as the copyright owner to protect and benefit from your creative works.
      • Presumption of Ownership: In legal proceedings, registration provides a presumption of ownership, which can make it easier to enforce your rights and reduce the burden of proof that you are the original creator. It shifts the onus on the infringer to disprove your ownership of the work.
      • Enhanced Legal Remedies: Registered copyrights may be eligible for statutory damages and legal costs in infringement cases, which can provide more significant compensation compared to unregistered works.
      • Deterrence of Infringement: A registered copyright can serve as a deterrent to potential infringers, as it signals that the creator is serious about protecting their rights and is prepared to take legal action if necessary.
      • Easier Licensing and Sale: Registration can facilitate the process of licensing or selling your copyright, as it provides clear documentation of ownership and the scope of your rights. If your copyrighted work is in demand, it increases your potential to generate revenue from it and, as a result, help recoup some of the time and money you’ve spent creating your work.
      • International Protection: While registration in Canada does not automatically grant protection in other countries, it can be helpful when seeking to enforce your rights abroad, particularly in countries that are members of international copyright treaties.
  • Is marking a copyrighted work with the copyright symbol © necessary?

    Open/Close
    • Although it is not necessary to mark the work with the copyright symbol ©, we highly recommend that you do, as it provides:

      • Public Notification: The symbol serves as a clear indication to the public that the work is protected by copyright, helping to prevent unintentional infringement.
      • Deterrence: Displaying the copyright symbol can discourage potential infringers by signalling that the creator is aware of their rights and is prepared to enforce them.
      • Documentation: The symbol, often accompanied by the year of first publication and the name of the copyright owner, provides a record of the ownership and the date of creation, which can be useful in legal disputes.
      • Professionalism: Using the copyright symbol adds a level of professionalism to your work, demonstrating that you take your intellectual property rights seriously.
      • Ease of Enforcement: While the use of the symbol is not required for copyright protection in Canada, it can make it easier to enforce your rights by providing visible evidence that the work is copyrighted.
      • International Recognition: The copyright symbol is universally recognized, which can be beneficial if you plan to distribute your work internationally, as it indicates protection under the Berne Convention and other international treaties.

      Accordingly, we recommend you properly mark any materials or works you claim copyright to in the following format:

      © The copyright owner’s name, year of first publication

  • What constitutes copyright infringement?

    Open/Close
    • Copyright infringement occurs when a person uses a copyrighted work in a way that is exclusively reserved for the copyright owner under the Copyright Act without permission from the copyright owner. A copyright owner can then seek various legal actions and remedies to enforce their copyrights.

      Specific acts that constitute copyright infringement include:

      • Reproduction: Making copies of a work, such as photocopying a book, duplicating a digital file, or recording a performance.
      • Public Performance: Performing copyrighted work in public, such as playing a song at a concert or screening a movie to an audience, without proper authorization.
      • Distribution: Distributing copies of a work to the public, whether by sale, rental, lease, or lending, without the copyright owner’s consent.
      • Communication to the Public: Communicating the work to the public by telecommunication, such as broadcasting a song on the radio or streaming a video online, without permission.
      • Adaptation: Creating derivative works based on the original, such as translating a book into another language, making a movie adaptation, or remixing a song without authorization.
      • Public Display: Displaying a copyrighted work publicly, such as showing a photograph or artwork in a public space or on a website, without the copyright owner’s permission.
      • Importation: Importing copies of a copyrighted work into Canada for distribution, sale, or rental without the copyright owner’s consent.

      Copyright infringement also includes indirect acts such as:

      • Aiding and Abetting: Assisting or facilitating someone else in infringing on copyright.
      • Possession of Infringing Copies: Possessing copies of a work that were made or distributed in violation of copyright law.
  • What are moral rights in the context of copyright?

    Open/Close
    • Moral rights in the context of copyrights refer to the personal rights of creators to protect the integrity and personal connection to their work so it’s not used or altered in ways that they find objectionable, which is separate from the economic rights associated with copyright. They include the following:

      • Right of Attribution: The right to be recognized as the author of the work and to have their name associated with the work or to remain anonymous if they choose.
      • Right to the Integrity of the Work: The right to protect the work from any distortion, mutilation, or other modification that would be prejudicial to the creator’s reputation. This includes protection against any derogatory treatment of the work.
      • Right to Association: The right to control the association of the work with a product, service, cause, or institution that the creator does not wish to be associated with to prevent harm to their reputation.

      It is important to note that:

      • Moral rights cannot be transferred or sold to another person. However, they can be waived by the creator if they explicitly agree to do so.
      • Moral rights last for the same duration as copyrights in the work, which is generally the lifetime of the creator plus 70 years after their death.

      The creator or their heirs can enforce moral rights, and violations can lead to legal action for remedies such as injunctions or damages.